Artist in Residence Program

The Black Hand Gang Artist-in-Residence programs are designed to cultivate a supportive and inspiring environment for artists to explore their craft, create new works, and deepen their knowledge of their medium and printing techniques.

 

Program information

This program is open to artists who meet the following criteria:

  • Fluency: Proficient in speaking either Bahasa Indonesia or English
  • Experience: Seasoned printmakers with a foundational understanding of basic printmaking techniques
  • Independence: While experienced printmakers are encouraged to work autonomously, those wishing to enhance their skills or learn new techniques—including beginners—can seek tailored support according to their needs.
  • Project Clarity: Residents should possess a clear vision for the project they aim to undertake during their residency.
 

The Residency Includes

  • Access to studio tools, machinery, and equipment
  • Technical assistance from the studio staff
  • Support and guidance from our team
  • Convenient access to printing materials (charged per use)

Accommodation is not included; however, we are more than willing to assist you in locating nearby lodging during your residency. We will provide a list of recommended places to stay.

 

Our Area of Expertise in Techniques

  1. Screen Printing
  2. Intaglio: Etching, Aquatint, Sugar-lift, Photopolymer Dry-film Intaglio, Carborundum Print, Drypoint
  3. Relief Print: Linocut
  4. Monotype
  5. Cyanotype & Cyanotype with toning

 

Support & Workflow

  1. Studio Hours: Open Tuesday to Saturday from 11 AM to 6 PM
  2. Closed: Sunday, Monday, major national holidays, and significant Balinese ceremonies such as Silent Day, Galungan, and Kuningan.
  3. Studio Introduction: At the start of the residency, a comprehensive introduction to the studio will be provided.
  4. Shared Space: Artists will share the studio with our team members and other artists who book studio rentals or participate in workshops. We will ensure that everyone is comfortable managing the shared space and time.
  5. Artists interested in specific private courses or public workshops are entitled to a 20% discount from the published rate.
  6. Documentation: Throughout the residency, BHG will document the resident’s work and creative process and provide promotional support through its social media channels.
  7. At the conclusion of the residency, the artist is expected to donate one print/artist’s proof of their choosing to the studio archive.

 

General Facilities

  1. Etching press for relief and intaglio printing (up to 70×100 cm paper)
  2. Inking station (for oil and water-based inks)
  3. Screen printing table with vacuum unit (up to 70×100 cm screen)
  4. Screen frames with different sizes and mesh counts
  5. UV unit for screens up to 70×100 cm
  6. Drying cabinet with a maximum size of 60×80 cm
  7. Two-chamber washing station (78×98 cm in each chamber)
  8. Drying rack
  9. Tracing table (75×90 cm)
  10. Foam rollers & rubber rollers
  11. Squeegees of various sizes and hardness
  12. Water jet/gun
  13. Long table (composed of a 90×90 cm small table)
  14. i-Mac & Max A4 Printer Inkjet
  15. Internet Wifi
  16. Hangout/Rest Area with Sofa
  17. Books & Magazines Library
  18. Pantry & Toilets
 

 

Fees & Funding

We welcome a maximum of 2 residents each month for a duration ranging from two weeks to one month.

  • The residency fee is IDR 3,500,000 per week and grants you access to our fully equipped studio for relief, intaglio, alternative photography processes, and screen printing for 5 working days, along with support from our experienced team. Additionally, you will incur charges for any printing materials used, such as printing plates, film, emulsion, paper, and more.
  • Artists are responsible for obtaining their own funding. BHG is pleased to support artists in their grant applications by offering a letter of invitation.

 

Application

Required Application Information:

  1. Concise Artist Curriculum Vitae
  2. Include ten pictures of recent examples or works in PDF or JPG
  3. A Short Description of Your Project. Please include details of the techniques utilised in the creative process. Please limit this to a maximum of one A4 page of text.
  4. Proposed Timeline for Residency Completion, including arrival and departure dates if you travel to Bali.

Please complete your application and provide all relevant information at least one month in advance.

Send via email to info@blackhandgang.id, please Cc. blackhandgangstudio@gmail.com

or apply via the form below

Artist in Residence Testimonies

Begitte Lynge Andersen

Origin: Denmark

Residency year: 2025

“Working at Black Hand Gang is a pleasure, I had such a great time there. It is a fantastic studio! It is well equipped and with competent, friendly staff, as well as helpful – both for a traveler new to Bali, in everyday solutions and specific topics around printmaking. As an experienced artist, I loved to work by myself and enjoyed the space and time carved out just for printing, exploring new things and sharpening old knowledge. In our journey to become more environmentally friendly as a community, BHG shows a legitimate concern alongside interest in preservation and development of the printmaking field. At BHG there is an amazing respect and love for the artist and the creative process. I genuinely recommend a stay there.”

John Graham

Origin: Canada

Residency year: 2025

“As a print artist, I greatly benefit from art-making in new cultural environments. I enjoy meeting other artists and learning about different art practices. I thrive with change, and I often create my best artwork at residencies. I am also always very happy to share my personal knowledge and experiences of printmaking with other print artists. In searching for a new artist residency opportunity, I discovered the Black Hand Gang Printmaking Studio in Ubud, Bali, Indonesia. I have visited Bali twice and during each visit, I remained in awe of the intense artistic activity on the island. I continue to marvel at the mythic imagination of the Balinese people. I am inspired how Balinese artists magically blend Hinduism with Animism in the visual and performing arts. I also remain deeply fascinated by how contemporary Balinese artists still integrate mythology, spirituality with art-making into a unified whole.

So, in July and August 2023, I participated in the Black Hand Gang Printmaking Studio (B.H.G.) residency program because of its location in Ubud which is widely considered the cultural center of Bali. As my first artist residency in Asia, this experience was an invaluable opportunity for me to share, learn, network, and make connections while printmaking and immersing myself in the Balinese cultural ceremonies in Ubud. I was immediately captivated by the aim of the B.H.G. Residency Program because it is conceived to facilitate artistic collaborations and cross-cultural exchange between local, national, and invited international contemporary artists.

B.H.G. is an independent art organization that supports established and emerging contemporary Indonesian and international artists to work in their new, fully equipped printmaking studio. The residency welcomes a curated group of national and international artists. Each artist residency includes flexible schedules for each visiting artist to complete a self-directed body of work while printmaking collaboratively in the studio. The studio director shared with me that printmaking is an emerging contemporary art form in Indonesia and many Indonesian artists are excited to learn from Western artists.

B.H.G. is a contemporary printmaking studio facility where print artists may work in screen- printing, relief, photo-printmaking, and Intaglio printmaking. The residency provides studio space, art supplies, technical support, and the provision of printers for collaborative printmaking. B.H.G. also has extensive artistic and cultural contacts in Bali and will provide day to day support and local knowledge. Visiting artists are expected to pay for their own travel, local accommodation, and day-to-day living expenses.

At this residency, I developed and printed a small edition of two diptych linocut images with Chine-collé. I also created and printed a multi-layer screen-print. This new imagery playfully explores imaginary mythopoetic interpretations images of Balinese otherworldly spirits. B.H.G. also provided me an opportunity to lead a linocut/ Chine-collé workshop in the studio. B.H.G. offered support for me to grow my printmaking art practice in the framework of their dynamic artist community.

As a Western artist, I was thrilled to make art for two-months in Ubud, Bali. Not only did I learn about contemporary Indonesian art and new printmaking techniques, but my residency experience was fully culturally immersive. My spiritual imagination was greatly enriched by the many Balinese ceremonies in Ubud with theatrical masks and costumes, mythical dances, shadow puppetry, and gamelan music, as well as traditional architecture.

I highly recommend this studio for any F.G.V. artist members. This studio is very well equipped, and the studio staff and director are very gracious, super helpful and friendly. The BHG Printmaking Studio is also very well connected with suppliers, artists, and galleries in Indonesia, etc. The BHG printmaking studio mangers are very open to create new international connections and contacts for artist exchanges and residencies.”